This article builds on fieldwork conducted in 2019 and 2020 and examines the implications of Covid-19 lockdown for the engagement of Danish Muslim women in Islamic educational activities. Drawing on Deleuze and Guattari and Larkin, it displays how technological infrastructure influences religious practice and the constitution of religious space. For the women engaged in Islamic education, the forced use of digital-media technologies unmoored conditions for being at activities, reorganized time and space, and changed conditions for relating to communities. As home (...) became the territory from where the women conducted all religious practices, including educational activities, classes and seminars were accessed on more individualized terms and became more easily integrated with other everyday activities. This made room for expanding engagement and accessing more diverse educational opportunities. At the same time, it withdrew the women from spaces of bodily and sensory togetherness, where feelings of community and connection would usually be nurtured. (shrink)

Human nature has always been a foundational issue for philosophy. What does it mean to have a human nature? Is the concept the relic of a bygone age? What is the use of such a concept? What are the epistemic and ontological commitments people make when they use the concept? In What’s Left of Human Nature? Maria Kronfeldner offers a philosophical account of human nature that defends the concept against contemporary criticism. In particular, she takes on challenges related to (...) social misuse of the concept that dehumanizes those regarded as lacking human nature (the dehumanization challenge); the conflict between Darwinian thinking and essentialist concepts of human nature (the Darwinian challenge); and the consensus that evolution, heredity, and ontogenetic development results from nurture and nature. After answering each of these challenges, Kronfeldner presents a revisionist account of human nature that minimizes dehumanization and does not fall back on outdated biological ideas. Her account is post-essentialist because it eliminates the concept of an essence of being human; pluralist in that it argues that there are different things in the world that correspond to three different post-essentialist concepts of human nature; and interactive because it understands nature and nurture as interacting at the developmental, epigenetic, and evolutionary levels. On the basis of this, she introduces a dialectical concept of an ever-changing and “looping” human nature. Finally, noting the essentially contested character of the concept and the ambiguity and redundancy of the terminology, she wonders if we should simply eliminate the term “human nature” altogether. (shrink)

In this conceptual article, we argue that defining corporate social responsibility and corporate social irresponsibility as opposite constructs produces a lack of clarity between responsible and irresponsible acts. Furthermore, we contend that the treatment of the CSR and CSI concepts as opposites de-emphasizes the value of CSI as a stand-alone construct. Thus, we reorient the CSI discussion to include multiple aspects that current conceptualizations have not adequately accommodated. We provide an in-depth exploration of how researchers define CSI and both identify (...) and analyze three important gray zones between CSR and CSI: the role of harm and benefit, the role of the actor and intentionality, and the role of rectification. We offer these gray zones as factors contributing to the present lack of conceptual clarity of the term CSI, as a concept in its own right, leading to difficulties that researchers and managers experience in categorizing CSI acts as distinct from CSR. (shrink)

Over the last four decades arguments for and against the claim that creative hypothesis formation is based on Darwinian ‘blind’ variation have been put forward. This paper offers a new and systematic route through this long-lasting debate. It distinguishes between undirected, random, and unjustified variation, to prevent widespread confusions regarding the meaning of undirected variation. These misunderstandings concern Lamarckism, equiprobability, developmental constraints, and creative hypothesis formation. The paper then introduces and develops the standard critique that creative hypothesis formation is guided (...) rather than blind, integrating developments from contemporary research on creativity. On that basis, I discuss three compatibility arguments that have been used to answer the critique. These arguments do not deny guided variation but insist that an important analogy exists nonetheless. These compatibility arguments all fail, even though they do so for different reasons: trivialisation, conceptual confusion, and lack of evidence respectively. Revisiting the debate in this manner not only allows us to see where exactly a ‘Darwinian’ account of creative hypothesis formation goes wrong, but also to see that the debate is not about factual issues, but about the interpretation of these factual issues in Darwinian terms. (shrink)

Continuing Franz Boas' work to establish anthropology as an academic discipline in the US at the turn of the twentieth century, Alfred L. Kroeber re-defined culture as a phenomenon sui generis. To achieve this he asked geneticists to enter into a coalition against hereditarian thoughts prevalent at that time in the US. The goal was to create space for anthropology as a separate discipline within academia, distinct from other disciplines. To this end he crossed the boundary separating anthropology from biology (...) in order to secure the boundary. His notion of culture, closely bound to the concept of heredity, saw it as independent of biological heredity (culture as superorganic) but at the same time as a heredity of another sort. The paper intends to summarise the shifting boundaries of anthropology at the beginning of the twentieth century, and to present Kroeber?s ideas on culture, with a focus on how the changing landscape of concepts of heredity influenced his views. The historical case serves to illustrate two general conclusions: that the concept of culture played and plays different roles in explaining human existence; that genetics and the concept of Weismannian hard inheritance did not have an unambiguous unidirectional historical effect on the vogue for hereditarianism at that time; on the contrary, it helped to establish culture in Kroeber's sense, culture as independent of heredity. (shrink)

The article addresses the question whether culture evolves in a Lamarckian manner. I highlight three central aspects of a Lamarckian concept of evolution: the inheritance of acquired characteristics, the transformational pattern of evolution, and the concept of directed changes. A clear exposition of these aspects shows that a system can be a Darwinian variational system instead of a Lamarckian transformational one, even if it is based on inheritance of acquired characteristics and/or on Lamarckian directed changes. On this basis, I apply (...) the three aspects to culture. Taking for granted that culture is a variational system, based on selection processes, I discuss in detail the senses in which cultural inheritance can be said to be Lamarckian and in which sense problem solving, a major factor in cultural change, leads to directed variation. (shrink)

This article illustrates in which sense genetic determinism is still part of the contemporary interactionist consensus in medicine. Three dimensions of this consensus are discussed: kinds of causes, a continuum of traits ranging from monogenetic diseases to car accidents, and different kinds of determination due to different norms of reaction. On this basis, this article explicates in which sense the interactionist consensus presupposes the innate?acquired distinction. After a descriptive Part 1, Part 2 reviews why the innate?acquired distinction is under attack (...) in contemporary philosophy of biology. Three arguments are then presented to provide a limited and pragmatic defense of the distinction: an epistemic, a conceptual, and a historical argument. If interpreted in a certain manner, and if the pragmatic goals of prevention and treatment are taken into account, then the innate?acquired distinction can be a useful epistemic tool. It can help, first, to understand that genetic determination does not mean fatalism, and, second, to maintain a system of checks and balances in the continuing nature?nurture debates. (shrink)

Thinking of problems of aesthetics has a long and strong tradition in Austrian Philosophy. It starts with Bernard Bolzano (1781-1848); it is famously represented by the critic and musicologist Eduard Hanslick (1825-1904); and it is continued within the school of Alexius Meinong (1853-1920), in particular by Christian von Ehrenfels (1859-1932) and Stephan Witasek (1870-1915). Nowadays the aesthetic writings of Bolzano, Ehrenfels, and Witasek are hardly known, particularly not in the Anglo-Saxon world. Austrian aesthetics is surely less known than Austrian contributions (...) to other philosophical disciplines, like ontology, epistemology or philosophy of science. One of the aims of this paper is to show that this is both regrettable and unjustified for the following reasons: Austrian aestheticians have dealt with a number of problems (mainly concerning the foundations of aesthetics) that are salient until today; in terms of subtlety and depth as well as exactness and originality, in general, they easily stand comparison with today's analytic aesthetics; and many of there views and arguments are still worthy of consideration. In this paper, the focus is on a number of hardly known Austrian contributions to aesthetics. These contributions concern the following, partly interrelated, central problems of philosophical aesthetics: i. The problem of the definition of beauty (What is beauty? What does it mean to say of an object that it is beautiful?) ii. The problem of the ontological status of works of art (What kinds of objects are works of art?) iii. The problem of the objectivity of aesthetic values (Do we claim objective validity for aesthetic value judgements, and if so, is this claim justified?) The answers of Bolzano, Meinong, Witasek and Ehrenfels to these questions will be considered. (shrink)

States of affairs raise, among others, the following questions: What kind of entity are they (if there are any)? Are they contingent, causally efficacious, spatio-temporal and perceivable entities, or are they abstract objects? What are their constituents and their identity conditions? What are the functions that states of affairs are able to fulfil in a viable theory, and which problems and prima facie counterintuitive consequences arise out of an ontological commitment to them? Are there merely possible (non-actual, non-obtaining) states of (...) affairs? Are there molecular (i.e., negative, conjunctive, disjunctive etc.) states of affairs? Are there modal and tensed states of affairs? (shrink)

Citrate, an organic trivalent anion, is a major substrate for generation of energy in most cells. It is produced in mitochondria and used either in the Krebs' cycle or released into cytoplasm through a specific mitochondrial carriers. Citrate can also be taken up from blood through different plasma membrane transporters. In the cytoplasm, citrate can be used ultimately for fatty acid synthesis, which is increased in cancer cells. Here, we review the ways in which citrate can be transported and discuss (...) the changes in transport and metabolism that occur in cancer cells. The primary focus is on the prostate gland, which is known to produce and release large amounts of citrate during its normal secretory function. The significant changes that occur in citrate‐related metabolism and transport in prostate cancer are the second focus. This review strives to relate these mechanisms to molecular biology on the one hand and to clinical applications on the other. (shrink)

Three experiments examined contributions of study phase awareness of word identity to subsequent word-identification priming by manipulating visual attention to words at study. In Experiment 1, word-identification priming was reduced for ignored relative to attended words, even though ignored words were identified sufficiently to produce negative priming in the study phase. Word-identification priming was also reduced after color naming relative to emotional valence rating (Experiment 2) or word reading (Experiment 3), even though an effect of emotional valence upon color naming (...) (Experiment 2) indicated that words were identified at study. Thus, word-identification priming was reduced even when word identification occurred at study. Word-identification priming may depend on awareness of word identity at the time of study. (shrink)

Charles Darwin und seine Erben wendeten die Theorie der Evolution biologischer Arten auch auf Kultur an. Kultur evolviere wie die Natur auf Darwinistische Weise. Die sog. Memtheorie, vertreten von verschiedenen Autoren auf der Basis des Darwinistischen Genselektionismus, ist eine Spielart einer solchen analogen Anwendung. Dieser Artikel kritisiert drei zentrale Aussagen der Memtheorie: (i) dass es Einheiten der Kultur – Meme – gibt, die analog zu Genen zu verstehen sind, (ii) dass Meme, in Analogie zu Genen, Replikatoren sind, und (iii) dass (...) Meme als Einheiten der kulturellen Selektion auf die gleiche Art wie Gene 'egoistisch' sein können. Nach einer Einführung in die Memtheorie in Teil 1, werden diese drei Thesen in Teil 2 als entweder falsch oder trivial entlarvt. Dieser kritische Teil soll vor allem zeigen, dass die Memtheorie keine 'gefährliche Idee' ist, die das bisher in den Geistes- Kultur- und Sozialwissenschaften tradierte Verständnis von Geist und Kultur herausfordern kann. Im Gegenteil, im besten Fall re-formuliert die Memtheorie lediglich Bekanntes in evolutionärer Sprache und ist in diesem Sinne trivial. In Teil 3 wird die Perspektive gewechselt: Nicht mehr der Gehalt, sondern die Funktion der Memtheorie, v.a. im Kontext interdisziplinärer Verständigung, soll betrachtet werden. Denn trotz der Kritik der drei Kernthesen kann die Memtheorie eine kommunikative und somit produktive Rolle zwischen den 'zwei Kulturen' der Wissenschaften spielen. (shrink)

Thema der Arbeit ist der ontologische Status von Werken sowie die Beziehung zwischen Werken einerseits und Aufführungen, Manuskripten, Partituren, Schallplatten, Gemälden, Gebäuden, Drucken etc. andererseits. Es wird angeknüpft an den phänomenologischen Ansatz von Roman Ingarden (aber auch an den von Alexius Meinung). Diese Ansätze werden unter Verwendung moderner logischer Hilfsmittel weiterentwickelt und, wo notwendig, revidiert. Im ersten Kapitel wird ausführlich begründet, warum Werke (und zwar Werke aller Gattungen) abstrakte, typenartige Gegenstände sein müssen, die in konkreten Einzeldingen (z. B. Aufführungen) realisiert (...) sein können, jedoch von diesen Realisierungen in ihrer Existenz nicht abhängig sind. Diese These ist im weiteren Verlauf der Arbeit eine nicht mehr hinterfragte Grundvoraussetzung. Im zweiten Kapitel werden die formalen Grundlagen einer Typenontologie des Werks entwickelt. Zwei Hauptfragen stehen dabei im Vordergrund: (a) Wie kann ein Werk (also ein abstrakter Gegenstand) sinnliche Eigenschaften (z. B. Klangeigenschaften, Farbeigenschaften) haben? (b) Was macht einen Gegenstand zu einer Realisierung eines Werks? Welche Bedingungen müssen erfüllt sein, damit etwas eine Realisierung eines gegebenen Werks ist? Neben dem Begriff des Werks beruht die in dieser Arbeit entwickelte Theorie auf drei weiteren Grundbegriffen: Realisierungen, Konkretisierungen und Aktualisierungen. Realisierungen sind jene Gegenstände, in denen Werke realisiert sind. Konkretisierungen sind abstrakte Gegenstände, die durch "Vervollständigung" aus Werken hervorgehen. Sie sind immer noch unvollständig bestimmt, aber vollständiger bestimmt als die Werke, deren Konkretisierungen sie sind. Beispiele für Konkretisierungen sind Inszenierungen im Theater oder musikalische Interpretationen. Aktualisierungen sind die intentionalen Korrelate von Rezeptionsvorgängen. Sie entstehen im Verlauf der Rezeption eines Werks und werden von den Rezipienten erzeugt. Ein und dasselbe Werk kann auf verschiedene Weisen aktualisiert werden (z. B.: ein Musikstück kann auf verschiedene Weisen "gehört" werden). In eigenen Kapiteln werden Probleme der Mereologie, der Identität, des Darstellens und der Beziehung zwischen dem darstellenden Werk und dem Dargestellten erörtert. (shrink)

The topic of this paper is the relationship between value facts (e.g., that this is good) and value experiences (e.g., appreciation). Its aim is, first, to give a concise account of the value theories of some important early phenomenologists (Franz Brentano, Christian von Ehrenfels, Alexius Meinong), second, to show that they raise questions and put forward arguments that are still worthy of note, and, third, to critically assess these arguments. Among others, the following questions are discussed: Can past and other (...) nonexistent objects have value? Are value experiences feelings or rather desires? Are value properties exemplified by “immanent objects” only? (shrink)

The art of acting, drama, or theatre has been largely excluded from the debate on the nature of consciousness in the scientific community. The purpose of this study was to investigate whether acting performance benefits from a divided or unified state of consciousness. Twenty-four acting students and professionals performed a monologue three times, twice with an interference task. Two different sets of instructions were provided for this task: one that asked participants to incorporate the interference into the world of their (...) monologue (unified consciousness), and another that asked them to dissociate it from their theatrical performance (divided consciousness). The variables studied included an evaluation of performance on primary and secondary tasks, as well as responses on a creativity and dissociative experiences questionnaire and to open-ended questions. Two acting professors provided monologue ratings. There was a significant difference in interference task performance scores for the divided and unified conscious conditions, as well as for the primary rater's monologue scores. Participants performed better on both tasks when they were asked to incorporate the interference into the imagined world of their monologue. These results show that a unified conscious approach results in better performance on certain tasks, implying that unified consciousness may be more adaptive for certain daily functions such as multitasking. (shrink)

The Cell Ontology (CL) is designed to provide a standardized representation of cell types for data annotation. Currently, the CL employs multiple is_a relations, defining cell types in terms of histological, functional, and lineage properties, and the majority of definitions are written with sufficient generality to hold across multiple species. This approach limits the CL’s utility for cross-species data integration. To address this problem, we developed a method for the ontological representation of cells and applied this method to develop a (...) dendritic cell ontology (DC-CL). DC-CL subtypes are delineated on the basis of surface protein expression, systematically including both species-general and species-specific types and optimizing DC-CL for the analysis of flow cytometry data. This approach brings benefits in the form of increased accuracy, support for reasoning, and interoperability with other ontology resources. 104. Barry Smith, “Toward a Realistic Science of Environments”, Ecological Psychology, 2009, 21 (2), April-June, 121-130. Abstract: The perceptual psychologist J. J. Gibson embraces a radically externalistic view of mind and action. We have, for Gibson, not a Cartesian mind or soul, with its interior theater of contents and the consequent problem of explaining how this mind or soul and its psychological environment can succeed in grasping physical objects external to itself. Rather, we have a perceiving, acting organism, whose perceptions and actions are always already tuned to the parts and moments, the things and surfaces, of its external environment. We describe how on this basis Gibson sought to develop a realist science of environments which will be ‘consistent with physics, mechanics, optics, acoustics, and chemistry’. (shrink)

The aim of this paper is an ontological clarification of the concept of artefact. The following questions are addressed: 1. Do artefacts constitute an ontological category of objects in its own right, and if so, how could this category be characterized? 2. How do artefacts come into existence? 3. What kind of artefacts are there, and in which relations do they stand to each other? It is argued that artefacts are characterized essentially through their genesis and that they owe their (...) existence to mental acts of a particular kind, which I call “acts of creation”. It is maintained that there are not only concrete, material artefacts, but also abstract artefacts, that is, artefacts that cannot be perceived through the senses and are not located in space. Furthermore, it shall be claimed that in a sense those abstract artefacts are even primary to the concrete, material artefacts. (shrink)

When individuals cannot make up their mind, they sometimes use a random decision-making aid such as a coin to make a decision. This aid may also elicit affective reactions: A person flipping a coin may (dis)like the outcome, and thus decide according to this feeling. We refer to this process as catalysing decisions and to the aid as catalyst. We investigate whether using a catalyst may not only elicit affect but also result in more affect-based decision making. We used different (...) online studies that examine affect-driven decisions by investigating scope insensitivity (indirect behavioural measure) and self-reported weight given to feelings versus reasons in hypothetical donation decisions. Study 1a showed that a catalyst (a lottery wheel) lead to more scope insensitive (i.e. affect-driven) donations. Study 1b included several changes and did not replicate these results. Study 2 (preregistered) examined scope insensitivity but did not replicate previous results; Study 3 (preregistered) looked at the weight given to feelings versus reason. Although catalyst (compared to control) participants descriptively reported relying more on feelings, this difference did not reach significance. In contrast to lay beliefs, results do not indicate support for the hypothesis that using a catalyst results in more affect-based hypothetical donation decisions. (shrink)

The concept of “critical science literacy” advanced by Susanna Priest is significant to how citizens approach scientific knowledge, but the concept is also relevant to undergraduate students majoring in the sciences, who are not necessarily becoming “critically literate” in their own disciplines. That is, future scientists are not learning how arguments are structured, meaning is made, and facts are agreed upon—specifically through communicative practices—both within and outside of the scientific community. This gap in the curriculum can be addressed through collaborative (...) efforts between rhetoricians and sociologists of science. Drawing from three major disciplinary traditions—writing studies, the rhetoric of science, and science communication—this article posits that a pedagogical intervention is necessary to improve science communication with nonexpert publics. A science writing and communication course that is grounded in the rhetoric of science and that also has sociological, philosophical, and historical components can provide science students with a critical awareness of how their discipline operates in society and teach them how to become more responsible and effective communicators. (shrink)

The general topic of this paper is the ontological commitment to so-called "fictitious objects", that is, things and characters of fictional stories, like Sherlock Holmes and Pegasus. Discourse about fiction seems to entail an ontological commitment to fictitious entities, a commitment that is often deemed inconsistent with empirical facts. For instance, "Pegasus is a flying horse" seems to entail "There are flying horses" as well as "Pegasus exists" (according to some widely accepted logical principles). I discuss two solutions that have (...) been proposed in the literature. The first one amounts to rejecting sentences like "Pegasus is a flying horse" as false, at least if they are taken at face value. This solution is called the "story operator strategy". It consists in paraphrasing sentences like "Pegasus is a flying horse" by means of the expression "according to a story" such that they are interpreted as an elliptic formulation of, e.g., "According to a story, Pegasus is a flying horse". I spell out the difficulties of the story operator strategy and opt for a realist ontology of fiction. A novel interpretation of the story operator "according to a story" is given, which is not only consistent with but even sheds new light on such a realist ontology. In particular, it is shown how the story operator can be used as a tool to introduce the so-called "modes of predication distinction" (which is an essential ingredient of many realist ontologies of fiction) in a commonsensical way. (shrink)

Eine ausgearbeitete Kunstontologie findet sich bei Ehrenfels nicht, wohl aber Bausteine zu einer solchen. Diese herauszuarbeiten ist das Anliegen des vorliegenden Beitrags. Dabei geht es um die Frage nach dem ontologischen Status von Kunstwerken, um mögliche kategoriale Einteilungen derselben, um Bestandteile und Identitätsbedingungen. Ehrenfels vertritt die Auffassung, dass nicht materielle Entitäten, sondern „Vorstellungskomplexe“ Träger ästhetischer Eigenschaften sind. Ich argumentiere, dass Ehrenfels die Auffassung zugeschrieben werden kann, dass Kunstwerke nicht mit materiellen Gegenständen, sondern mit Vorstellungskomplexen zu identifizieren sind. Im Weiteren wird (...) die Frage diskutiert, ob die Vorstellungskomplexe als mentale Entitäten im engeren Sinn aufzufassen sind (d. h. als Entitäten, die in jedem Moment ihrer Existenz von Bewusstseinsvorgängen ontologisch abhängig sind) oder ob sie von Bewusstseinsvorgängen unabhängige Existenz haben können. Zur Beantwortung dieser Frage wird ein wenig beachteter Text zur Gestalttheorie herangezogen, der eine überraschende Antwort nahe legt. Was die Frage nach den Bestandteilen betrifft, lässt sich aus Ehrenfels’ Schriften die Auffassung extrahieren, dass Kunstwerke aus Gestalten bestehen, die entweder durch sinnliche Qualitäten oder durch Psychisches fundiert sein können. Ich zeige zudem, dass Ehrenfels eine differenzierte Auffassung bezüglich der Identitätsbedingungen von Kunstwerken vertritt: In erster Linie sind die konstituierenden Gestalten identitätsrelevant, doch es können auch Kontexte und Funktionen eine Rolle spielen. (shrink)

In diesem Beitrag werden drei Thesen verteidigt: 1. Interpretationen literarischer Werke (im Sinne von Aussagen über die Bedeutung literarischer Werke) können richtig oder falsch sein. 2. Werke haben eine objektive Bedeutung, unabhängig von Interpretationen. 3. Die Bedeutung eines Werks wird wesentlich durch die kommunikativen Absichten der Autorin determiniert. Die Position, dass Werk- und Textbedeutungen durch tatsächliche Autorabsichten des echten Autors konstituiert werden – die Position des aktualen Intentionalismus – wird gegen eine Reihe von Einwänden und konkurrierenden Theorien verteidigt, nämlich gegen (...) den Konstruktivismus (»Werke und Texte haben keinerlei Bedeutung unabhängig von einer Interpretation«), den Konventionalismus (»Die Werk- und Textbedeutung ist ausschließlich durch linguistische Konventionen determiniert«), den Kontextualismus (»Die Werk- und Textbedeutung ist ausschließlich durch den Äußerungskontext determiniert«) und den hypothetischen Intentionalismus (»Die Bedeutung eines Werks bzw. Textes ist identisch mit dem, was ein intendiertes bzw. ideales Publikum für die Bedeutung des Werks bzw. Textes halten würde«). (shrink)

In "Über Möglichkeit und Wahrscheinlichkeit" entwickelt Meinong seine Theorie der unvollständigen Gegenstände. Der Begriff der Unvollständigkeit wird eingeführt mittels expliziter Bezugnahme auf den Satz vom ausgeschlossenen Dritten: Ein Gegenstand ist unvollständig genau dann, wenn für ihn der Satz vom ausgeschlossenen Dritten nicht gilt. M. a. W.: x ist unvollständig, wenn nicht für jede Eigenschaft P gilt, daß x P hat oder daß x P nicht hat. Alle existierenden und bestehenden Gegenstände sind vollständig; Gegenstände wie das Dreieck in abstracto oder der (...) Gegenstand etwas Blaues sollen dagegen unvollständig sein. Meinong unterscheidet zwei Arten der Negation: Es ist nicht der Fall, daß x p hat. X hat nicht-P Meinong selbst stellt fest, daß in bezug auf die externe Negation der Satz vom ausgeschlossenen Dritten uneingeschränkt gültig ist. Um zu verstehen, was es heißt, daß ein Gegenstand unvollständig ist, erscheint es daher unumgänglich, Klarheit darüber zu gewinnen, was eigentlich mit der internen Negation zum Ausdruck gebracht wird. Es wird eine Interpretation der internen Negation vorgeschlagen, und es soll gezeigt werden, daß es gemäß dieser Interpretation überhaupt keine Gegenstände gibt, die unvollständig im Sinne Meinongs sind. (shrink)

This paper is a commentary on David Woodruff Smith's "Intentionality and Picturing: Early Husserl vis-à-vis Early Wittgenstein" (S J Phil 40 (Supp), 2002). I address three questions: 1. What is a fact according to Wittgenstein? What is the relation between states of affairs on the one hand and facts on the other? Is a fact an existing state of affairs (as Smith suggests), or is it the existence of a state of affairs, as most of Wittgenstein's remarks on this matter (...) in the _Tractatus suggest? The difference becomes especially important when negative facts are under consideration. 2. How far goes the parallelism between Husserl's and Wittgenstein's models of the thought-language-world relation really? In particular: Is there anything in Wittgenstein that corresponds to Husserl's ideal senses? Do Wittgenstein's thoughts play that role? 3. Do ideal senses have an explanatory function? (shrink)

Terence Horgan's "contextual semantics" is supposed to be a means to avoid unwanted ontological commitments, in particular commitments to non-physical objects, such as institutions, theories and symphonies. The core of contextual semantics is the claim that truth is correct assertibility, and that there are various standards of correct assertibility, the standards of "referential semantics" being only one among others. I am investigating the notions of correct assertibility,assertibility norms and indirect reference. I argue that closer inspection reveals that contextual semantics ultimately (...) amounts – contra Horgan's intentions – to a paraphrase strategy. I defend an ontological commitment to theories and symphonies. (shrink)